
I received this filer in the email (I think it might be affiliated with the Magenta guys [my fave Magenta flick!]), but if you will be alive and of your own faculties in Paris on Saturday, April 2, go see One-Two.
I'll D.C. That and Raise You


Terms Of Endearment also features one of the most moving ever deathbed scenes, when Winger explains to her son that she isn't going to be around forever.Alright, now, allow me to introduce my "Why This Movie Is Actually a Short Film Swallowed up in a Big Movie" half-baked "theory." I hold the opinion that you need only to watch the last four scenes (1. this "deathbed scene"; 2. outside the hospital; 3. death; 4. the wake) of Terms of Endearment, and you'll have watched a Terms of Endearment most true to its title. Strip out the distraction of flashy neighbors, misadventures in mother-daughter divadom, and the plot-propeller of "the cancer," and you're left with windows on people who aren't particularly comfortable with one another in a most uncomfortable circumstance. This great "deathbed scene" isn't a grand, weepy confession; it's a frosty eye-to-eye (and this scene has never made me cry, but has only left me more cynically deflated every time I watch it). I mean, come on: if your piously libertine mom propped herself up on, indeed, her deathbed and narrowed her eyes at you and said, "I know that you love me... and I want you to know that I love you as much as I love anybody, as much as I love myself," that might cast a pallor over your memory of the event, what with its notion that she deemed to elevate you up to her own esteem of herself only at her most vulnerable. Or that she pretty much lumped you in the same affection-league with "some dude."